{"id":5758,"date":"2026-10-05T15:52:31","date_gmt":"2026-10-05T13:52:31","guid":{"rendered":"https:\/\/www.afrikamera.de\/?p=5758"},"modified":"2026-10-16T16:30:03","modified_gmt":"2026-10-16T14:30:03","slug":"water-coltan-360-screening-4","status":"publish","type":"post","link":"https:\/\/www.afrikamera.de\/en\/saturday-nov-14-2026\/water-coltan-360-screening-4\/","title":{"rendered":"WATER &amp; COLTAN | 360\u00b0 SCREENING"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\"><br>Daniel K\u00f6tter, Yasmine Bisimwa, Olande Byamungu, Christian Muhigwa<br>Germany\/ DR Congo 2021, Original with English subtitles, 52 min<br><br>WED 11 \u2013 SUN 15 NOV daily 6 PM<br>SAT 14 NOV 7 PM&nbsp;Artist Talk with Daniel K\u00f6tter &amp; Olande Byamungu<br>MISS READ SPACE<\/h4>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"image-placeholder video video-vimeo\" style=\"padding-bottom:56.25000000%\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/1234319779?title=0&#038;byline=0&#038;portrait=0&#038;width=560&#038;height=315&#038;share=copy&#038;fl=sv&#038;fe=ci\" width=\"560\" height=\"315\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><br>\u201cWater &amp; Coltan\u201d explores the impact of mining on landscapes and communities in western Germany and the Democratic Republic of the Congo. While WATER imagines posthuman near-future scenarios for the former coal-mining region of the Ruhr, COLTAN takes its audience directly to the sites where women are fighting for their rights in artisanal coltan mining camps in South Kivu, Democratic Republic of the Congo. Based on research conducted by the filmmaker together with social worker Yasmine Bisimwa, lawyer Olande Byamungu and engineer Christian Muhighwa, and drawing on the myth of Tantalus from Homer, the 360\u00b0 documentary brings together two local perspectives on the same violent global phenomenon, the extractivist exploitation of natural and human resources and its long-term consequences for the environment and society.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/daniel-koetter-768x1024.jpg\" alt=\"\" class=\"wp-image-5395\" style=\"width:600px\" srcset=\"https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/daniel-koetter-768x1024.jpg 768w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/daniel-koetter-225x300.jpg 225w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/daniel-koetter-1152x1536.jpg 1152w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/daniel-koetter-1536x2048.jpg 1536w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/daniel-koetter-1612x2149.jpg 1612w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/daniel-koetter-1116x1488.jpg 1116w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/daniel-koetter-806x1075.jpg 806w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/daniel-koetter-558x744.jpg 558w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/daniel-koetter-655x873.jpg 655w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/daniel-koetter-scaled.jpg 1920w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\">Daniel K\u00f6tter<\/figcaption><\/figure>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><br><strong>Daniel K\u00f6tter<\/strong> (b. 1975 in Germany) is a documentary filmmaker and theatre director. His research-based work moves between different media and institutional contexts and has been presented at film festivals, galleries and theatres around the world. Since 2007, his visual research into urbanisation and political landscapes has taken him across the African continent and the Middle East.<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>His major works include the film and performance series STATE-THEATRE, exploring the urban conditions of performativity in Lagos, Tehran, Berlin, Detroit, Beirut and M\u00f6nchengladbach (2009\u20132014); the research, exhibition and film project CHINAFRIKA (2013\u20132019); and the film trilogy HASHTI TEHRAN (2017, Special Award of the German Short Film Award), DESERT VIEW (2018) and RIFT FINFINNEE (2020, DEFA Award at DOK Leipzig), focusing on urban peripheries in Tehran, Cairo and Addis Ababa.<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Since 2019, Daniel K\u00f6tter has been working on LANDSCAPES AND BODIES, a series of spatial performances and 360\u00b0 films exploring the consequences of extractivism in Germany, West Papua and the Democratic Republic of the Congo. His 360\u00b0 film WATER &amp; COLTAN (2021) premiered at IDFA DocLab.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"731\" height=\"1024\" src=\"https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/Olande-Byamungu-731x1024.jpg\" alt=\"\" class=\"wp-image-5316\" style=\"width:600px\" srcset=\"https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/Olande-Byamungu-731x1024.jpg 731w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/Olande-Byamungu-214x300.jpg 214w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/Olande-Byamungu-768x1075.jpg 768w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/Olande-Byamungu-1097x1536.jpg 1097w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/Olande-Byamungu-1463x2048.jpg 1463w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/Olande-Byamungu-1612x2257.jpg 1612w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/Olande-Byamungu-1116x1562.jpg 1116w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/Olande-Byamungu-806x1128.jpg 806w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/Olande-Byamungu-558x781.jpg 558w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/Olande-Byamungu-655x917.jpg 655w, https:\/\/www.afrikamera.de\/wp-content\/uploads\/2026\/10\/Olande-Byamungu-scaled.jpg 1829w\" sizes=\"auto, (max-width: 731px) 100vw, 731px\" \/><figcaption class=\"wp-element-caption\">Olande Byamungu<\/figcaption><\/figure>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Olande Byamungu<\/strong> is a qualified lawyer, originally from the Democratic Republic of the Congo (DRC), and lives in Germany. She has experience in the fields of media, human rights, migration and civil society engagement, both in the DRC and in Germany.<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>She currently works at the Psychosocial Centre for Refugees in D\u00fcsseldorf, where she provides guidance and support to refugees. In the DR Congo, she worked as a journalist and reporter for Radio Sauti la Rehema in Bukavu (South Kivu), with a particular focus on communication and raising awareness of women\u2019s rights. She is a member of the board of the NGO Action Cha\u00eene de Solidarit\u00e9 Universelle, which supports women in rural areas and children affected by armed conflict in South Kivu. She was also president of the NGO Volontaire pour le D\u00e9veloppement Rural (VDR), where she addressed issues of development, environmental protection and the exploitation of natural resources, as well as their impact on local communities.<\/p>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Alongside her legal and civil society work, Olande Byamungu is involved in documentary film and theatre. Her artistic work focuses in particular on women\u2019s rights, migration, human rights, colonialism and the exploitation of natural resources. 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\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\taria-label=\"Enlarge\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on-async--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.imageButtonRight\"\n\t\t\tdata-wp-style--top=\"state.imageButtonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><a href=\"https:\/\/www.afrikamera.de\/en\/films-2026\/specials\/\">&lt; back<\/a><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>WED 11 \u2013 SUN 15 NOV daily 6 PM |<br \/>\nMISS READ SPACE | Daniel K\u00f6tter, Yasmine Bisimwa, Olande Byamungu, Christian Muhigwa | Germany\/ DR Congo 2021, Original with English subtitles, 52 min | SAT 14 NOV 7 PM\u00a0 Artist Talk with Daniel K\u00f6tter &#038; Olande Byamungu | \u201cWater &#038; Coltan\u201d explores the impact of mining on landscapes and communities in western Germany and the Democratic Republic of the Congo. While WATER imagines posthuman near-future scenarios for the former coal-mining region of the Ruhr, COLTAN takes its audience directly to the sites where women are fighting for their rights in artisanal coltan mining camps in South Kivu, Democratic Republic of the Congo. <\/p>\n","protected":false},"author":1,"featured_media":5314,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[98],"tags":[],"class_list":["post-5758","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-saturday-nov-14-2026"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.afrikamera.de\/en\/wp-json\/wp\/v2\/posts\/5758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.afrikamera.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.afrikamera.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.afrikamera.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.afrikamera.de\/en\/wp-json\/wp\/v2\/comments?post=5758"}],"version-history":[{"count":1,"href":"https:\/\/www.afrikamera.de\/en\/wp-json\/wp\/v2\/posts\/5758\/revisions"}],"predecessor-version":[{"id":5760,"href":"https:\/\/www.afrikamera.de\/en\/wp-json\/wp\/v2\/posts\/5758\/revisions\/5760"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.afrikamera.de\/en\/wp-json\/wp\/v2\/media\/5314"}],"wp:attachment":[{"href":"https:\/\/www.afrikamera.de\/en\/wp-json\/wp\/v2\/media?parent=5758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.afrikamera.de\/en\/wp-json\/wp\/v2\/categories?post=5758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.afrikamera.de\/en\/wp-json\/wp\/v2\/tags?post=5758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}